Thanks Blake for your kind words!
And your stuff is so cool!!
You could do that fill this way if you have 2 toms:
RLLRLR LFFRLL RLRLFF RLRLRL F/R (Sticking)
SssS12 2BBSss S122BB SS1122 B/C (Fill)
Thank you also Rudy!
To quote you:
<font size="2" face="Verdana, Helvetica, sans-serif">You also seem to feel like me, still you sound pretty good.Well, what can I say other than thanks very much, you made me feel better. I just HATE hearing my recordings, because I don't think I've ever recorded anything where the timing, or, execution of fills are bang on all the way through. Everytime I listen to other players, they always seem have to everything perfectly nailed. But thanks
Maybe the word ?mistakes? is not the right one but it?s things a listener may not hear at first but that become noticeable when you open the ?musical microscope?. Things like some uneven backbeats or slightly anticipated bass drum strokes, transitions and so on...Being imperfect is human, but it?s also human to strive for perfection. I haven?t done that many pro studio sessions but each time I did I felt my playing took a quantum leap. Much more significant than when I record myself in a practice room. I think it?s because you?re in a pressure situation. Your ears are totally opened up because you have to quickly create and execute things with precision and feel, things that will remain. Listening to cristal clear playbacks in the control room with the feedbacks of a producer and artist is probably the best improvement situation, you become a sponge. I?m sure that drummers that do it on a daily/weekly basis develop the greatest ears, confidence, control, accuracy, time and feel.
Maybe guys here that record on a regular basis could expand on this (Randy, Blake, Dazzler, or others?). Also, have some of you already felt that something you recorded was THE track, like: This is it! Perfect! Couldn?t do any better! 100% happy with feel and execution! Honestly, If it ever happened, how is it? Must be Nirvana??
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